This printmaking project uses a soap block as the original plate, which erodes with each printmaking session. The gradual dissolution of the plate into prints means the plate cannot outlast its copies, and it also makes each copy inevitably unique. At the same time, the copies are still related, every impression is shaped by the same carved cavities inside the soap block, so the prints become a series of variations, connected by the shared inner structure of a single plate. In this process, the plate itself becomes almost indistinguishable from the images it produces, dissolving into its own reflections and making each copy a trace and a dissolution of the original.

It then splits into two forms of output: one as static prints arranged on a layout, the other as moving images of those prints sequenced on a timeline.